courbet



Feaver William Lucian Freud Feaver William Lucian Freud Новинка

Feaver William Lucian Freud

9401 руб.
This volume, with more than 400 reproductions, will be the most comprehensive publication to date on Lucian Freud, covering a span of seventy years and including many works not previously reproduced. The result is a corpus of great works that reveal him to be the premier heir today of Rembrandt, Courbet, and Cezanne. The book includes not only Freud's paintings but also his sketches, woodcuts, and powerful etchings. While the bulk of his paintings are female nudes, his cityscapes, plant studies, and interiors, executed in his distinctive muted palette and visible brushwork, are all included. Freud, who has lived in London ever since his family left Berlin in 1933 when he was ten, has achieved preeminence through his ruthless perception of the human form. His importance has long been recognized in England, but his present super-celebrity status dates from a retrospective at the Hirshhorn in Washington, D.C., in 1987. William Feaver, painter and for many years art critic for The Observer, provides a unique account of Freud's preoccupations and achievement. Startling, moving, profoundly entertaining, the book lives up to Freud's advice to students when getting them to paint self-portraits: "To try and make it the most revealing, telling, and believable object. Something really shameless, you know."
Hagen Rose-Marie, Hagen Rainer What Great Paintings Say Hagen Rose-Marie, Hagen Rainer What Great Paintings Say Новинка

Hagen Rose-Marie, Hagen Rainer What Great Paintings Say

1928 руб.
Did the Greek gods play tennis? What is the ambassador from the land of Alchemy telling us? What secrets are being told on the shores of the Island of Venus? What is a monk doing on the Ship of Fools? What Great Paintings Say has the answers to these and many other burning questions asked about the most important and famous paintings of all time. In two volumes, a selection of history`s greatest masterpieces is presented chronologically, including works by Botticelli, Breughel, Chagall, Courbet, Degas, Delacroix, Durer, Goya, Monet, Raphael, Rembrandt, Renoir, Rubens, Tiepolo, Titian, and many others. Each chapter focuses on one painting, with enlarged details and in-depth texts describing their significance. Taking apart each painting and then reassembling it again like a huge jigsaw puzzle, the authors reveal the history of art as a lively panorama of forgotten worlds. About the author: Rose-Marie Hagen was born in Switzerland and studied history as well as Romance languages and literature in Lausanne. After longer study periods in Paris and Florence, she lectured at different institutions including the American University in Washington D.C. Rainer Hagen was born in Hamburg and graduated in literature and theatre studies in Munich. He went on to work for radio and TV where his latest position has been chief editor of a German public broadcasting service. The two authors have worked together for TASCHEN on several books such as What Great Paintings Say and a monograph on Francisco de Goya. Издание на английском языке.
Отсутствует Морская кампания № 03/2015 Отсутствует Морская кампания № 03/2015 Новинка

Отсутствует Морская кампания № 03/2015

100 руб.
Представляемый вашему вниманию номер является необычным. Традиционно «Морская кампания» публиковала либо монографии по отдельным кораблям, либо справочники по корабельному составу, либо сборники статей. Данная же работа представляет собой обзор развития класса неброненосных крейсеров французского флота второй половины XIX века, венцом которого стал «Сфакс» – первый французский бронепалубный крейсер. Подобного рода обзоры весьма популярны за рубежом, однако пока не нашли должного внимания со стороны отечественных авторов. Надеемся, что новый жанр встретит положительные отклики читателей и в будущем станет традиционным. Автор выпуска – Дмитрий Борисович Якимович (г. Пушкин, Санкт-Петербург). В основу работы положены франкоязычные издания: «L’Annee maritime»; «Aide-mémoire d’artillerie navale: annexe au Mémorial de l’artillerie»; «Carnet de l’officier de marine»; «Revue maritime et coloniale»; «Annales du Sénat et de la Chambre des députés»; «Campagne de l’„Iphigenie“; E. Nicol „Traite d'artillerie à l’usage des officiers de marine“; G. Maugas „Cours pratique de construction navale“; A. Hauser „Cours de construction navale“; C. Beaud „Les Schneider marchands de canons (1870-1914)“; A. de Salinis „La Marine au Dahomey. Campagne de la „Naïade“; „Etudes sur l’exposition universelle“ (1878); L.-E. Bertin „Notice sur la marine à vapeur de guerre et de commerce“; L.-E. Bertin „Evolution de la puissance defensive des navires de guerre“; P. Dislere „Les croiseurs“; M. Loire „L’Escadre de l’amiral Courbet“; E. Garnot „L’expédition française de Formose, 1884-1885“; A. Ledieu, H. Hubac „Les nouvelles machines marines“; A. Ledieu, E. Cadiat „Le nouveau matériel naval“ (Tome 1-2); J.-M. Roche „Dictonnaire de batiments de la flotte de guerre“; T. Madge „Royal Yachts of the World“; „Histoire medicale de la campagne de la fregate La Themis“; A. de Freminville „Traite pratique de construction navale“; L. Feron „Le croiseur Sfax d’Emile Bertin“; G. Prevoteaux „Les croiseurs francais 1868-1885 (Navire et Histoire)“; L. Jacob «Artillerie Navale“. Цветные схемы для выпуска выполнил Р. И. Кузнецов (Санкт-Петербург).
Delcourt Thierry, Masanes Fabrice, Queruel Danielle Mamerot: A Chronicle of the Crusades (2 книги в коробке) Delcourt Thierry, Masanes Fabrice, Queruel Danielle Mamerot: A Chronicle of the Crusades (2 книги в коробке) Новинка

Delcourt Thierry, Masanes Fabrice, Queruel Danielle Mamerot: A Chronicle of the Crusades (2 книги в коробке)

10672 руб.
A faultless facsimile - accurate to the color of the medieval gold heightening Completed circa 1474, Sebastien Mamerot's lavishly illustrated manuscript is the only contemporary document to capture several centuries of French crusades, when successive kings tried to capture the Holy Land. Jean Colombe, the medieval illuminator best known for his work on the Tres Riches Heures du Duc de Berry, is the principal artist of its 66 exquisite miniatures. Mamerot's manuscript was dedicated to his patron Louis de Laval, governor of Champagne, whose inspiration was the Christian equivalent of extremist jihad-a xenophobic holy war with its origins in a Papal appeal by Urban II. Les Passages d'Outremer (The Expeditions to Outremer) comprises 277 parchment folios, illustrated by Colombe and the finest caligraphers of the medieval era, and now resides in the French national library. This manuscript is the source of TASCHEN's facsimile reprint, which is accurate down to the color of the medieval gold heightening. This two-volume hardcover edition in a slipcase - comprising a facsimile volume and a commentary volume with the complete translation of the manuscript text and explanations of Jean Colombe's miniatures - is a particular testimony to that long, glorious and bloody historical epoch. The battles, burials, religious ceremonies, coronations and royal processions depicted in the 66 colourful miniatures come to life before our eyes and create a forceful image of those centuries-long wars. About the authors: Thierry Delcourt earned a doctorate in literary studies and was the former head of the Bibliotheque municipale of Troyes (now the Mediatheque de l'Agglomeration troyenne). He has been director of the Department of Manuscripts at the Bibliotheque nationale de France since 2006 and is the curator of the exhibition La legende du roi Arthur, BnF, October 2009. His books include Les croisades, la plus grande aventure du Moyen Age, and La litterature arthurienne. Fabrice Masanes is an art historian and art critic, with a doctorate in art history from the Sorbonne. A specialist in painting, he teaches on 19th-century art in Paris, and the history of medieval Paris at the University of Illinois at Chicago. The author of TASCHEN's Courbet, he has written extensively on literature and the visual arts. Danielle Queruel is Professor of Medieval Literature at the Universite de Reims Champagne-Ardenne. She holds a doctorate in late medieval Burgundian romance literature, has studied prosification and crusade literature, and has published widely, including editions of Le roman de Tristan en prose, and Le Livre du devisement du monde de Marco Polo.

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A faultless facsimile - accurate to the color of the medieval gold heightening Completed circa 1474, Sebastien Mamerot's lavishly illustrated manuscript is the only contemporary document to capture several centuries of French crusades, when successive kings tried to capture the Holy Land. Jean Colombe, the medieval illuminator best known for his work on the Tres Riches Heures du Duc de Berry, is the principal artist of its 66 exquisite miniatures. Mamerot's manuscript was dedicated to his patron Louis de Laval, governor of Champagne, whose inspiration was the Christian equivalent of extremist jihad-a xenophobic holy war with its origins in a Papal appeal by Urban II. Les Passages d'Outremer (The Expeditions to Outremer) comprises 277 parchment folios, illustrated by Colombe and the finest caligraphers of the medieval era, and now resides in the French national library. This manuscript is the source of TASCHEN's facsimile reprint, which is accurate down to the color of the medieval gold heightening. This two-volume hardcover edition in a slipcase - comprising a facsimile volume and a commentary volume with the complete translation of the manuscript text and explanations of Jean Colombe's miniatures - is a particular testimony to that long, glorious and bloody historical epoch. The battles, burials, religious ceremonies, coronations and royal processions depicted in the 66 colourful miniatures come to life before our eyes and create a forceful image of those centuries-long wars. About the authors: Thierry Delcourt earned a doctorate in literary studies and was the former head of the Bibliotheque municipale of Troyes (now the Mediatheque de l'Agglomeration troyenne). He has been director of the Department of Manuscripts at the Bibliotheque nationale de France since 2006 and is the curator of the exhibition La legende du roi Arthur, BnF, October 2009. His books include Les croisades, la plus grande aventure du Moyen Age, and La litterature arthurienne. Fabrice Masanes is an art historian and art critic, with a doctorate in art history from the Sorbonne. A specialist in painting, he teaches on 19th-century art in Paris, and the history of medieval Paris at the University of Illinois at Chicago. The author of TASCHEN's Courbet, he has written extensively on literature and the visual arts. Danielle Queruel is Professor of Medieval Literature at the Universite de Reims Champagne-Ardenne. She holds a doctorate in late medieval Burgundian romance literature, has studied prosification and crusade literature, and has published widely, including editions of Le roman de Tristan en prose, and Le Livre du devisement du monde de Marco Polo.
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